Artist George Condo is having a pretty major moment: A retrospective of his work is on view at the New Museum, he’s worked with Adam Kimmel to create masks for his menswear shows (not to mention lent some of his signature gargoyle-ish motifs to Kimmel’s collections), and was tapped by Kanye West to design not only the cover for My Beautiful Dark Twisted Fantasy, but also a series of limited-edition scarves. But when Style.com caught up with Condo at last night’s Party in the Garden at MoMA (special guest performer: Kanye West), we learned that he’s not ready to give up fashion just yet.—Kristin Studeman
You’ve just finished working on a series of scarves with Kanye West. What’s next?I want to do clothes. You know those crazy, sparkly outfits they have at the Victoria’s Secret runway show? I want to do something like that, but a full outfit.Who would you like to design one for?I wouldn’t mind designing one for Rihanna or…who is my favorite one? [He turns to ask his wife.] Beyoncé! I would love to do Mel Gibson and dress him as Jesus all over again. Oh, and I would love to do a suit for Kanye.What would Kanye’s look like?It would be something really tough. Sort of like an old-fashioned tux but made out of a different material. Maybe entirely black silk?Tell me about your first meeting with him.He came to the studio to look at the paintings and was very alive. I was excited to hear what he was doing and he was excited by what I was doing and then he blasted out “Power.” It was so loud and so mind-blowing.
Photo: Owen Hoffmann / Patrick McMullan
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Someone once told me that John Fairchild would famously tell his WWD-ers the following when it would come to confirming fashion directions: “Twice is a coincidence, three times is a trend.” Well, last night at an intimate dinner for Giambattista Valli at Kaviar Kaspia, I had all three in one go: Margherita Missoni, Tatiana Santo Domingo, and Eugenie Niarchos all showed up wearing various incarnations of the exact same Valli leopard print. Turns out the three recently became sartorially bonded following a wild couple of days playing dress-up at the insane hippie art fest in the Nevada desert that is the Burning Man festival a few weeks ago. (I’m sure that was a sight to see.) They claimed it’s the same reason they showed up earlier on Tuesday at the Valentino show in matching goofy glasses. “It was the most amazing time of my entire life, and I really mean that,” Missoni told me, more than once. Niarchos added: “I still have dreams about it.”
Last night The Rodnik Band—with help from the White Club, a Milanese association championing emerging talent—treated guests to a multimedia onslaught. Phil Colbert, Rodnik’s main man, pulled off an installation, a cartoon video, a concert—and, oh, yes, a catwalk collection. Colbert’s background is in philosophy, not fashion, so branding, surrealism, and de-contextualization all had supporting roles, too. On the catwalk things were much more straightforward: Bold graphics, borrowed from Warhol, Mondrian, and Duchamp, were applied to a series of fun and wearable silhouettes. The White Club has been busy on the business side of things, too. The Rodnik Band’s next gig is collaborating with Miss Sixty on their menswear line.


“As a model, I used to go to the most exotic locations—in the depths of Kenya, Brazil, and India,” model-turned-photographer Astrid Muñoz told Style.com last night. “When the shoots were finished and everyone went back to their hotels, I stayed behind with my camera and took pictures. Then I built a dark room in my flat and since then, I have been totally taken over by photography.”At London’s Jaeger-LeCoultre Bond Street boutique last night, a crowd of friends and family, including Clive Owen, Natalia Vodianova, Charlotte and Andrea Dellal, Anouck Lepère, and Poppy Delevingne, came by to take a look at her first London exhibition. The sepia-toned photographs depicted gauchos and horses in the Argentinean outback. That was no coincidence. Munoz’s current partner is Eduardo Novillo Astrada, an Argentinean polo player and ambassador of Jaeger-LeCoultre.Guests crammed into the tiny shop to celebrate the work, featured in the latest Jaeger Le-Coultre publication, Yearbook Five. “The photographs are absolutely riveting; they capture the vibe of that region so well—she genuinely has an eye,” said Vodianova. But for Muñoz, whose work on the gauchos will be released in a forthcoming book, it is not just Argentina that inspires her: “For me, the more remote a location, the more difficult to get to, the better,” she said, freshly back from the Amazon jungle, where lunch was bugs and crocodiles and where the hotel room was a hammock strung on to a tree. “The most incredible subjects to photograph are in the most inaccessible places. And trust me, I will get to as many as those places as I can.”—Afsun Qureshi


